Kamis, 27 Februari 2014

^^ Download The Horse's Mouth: How Handspring and the National Theatre made War Horse, by Mervyn Millar

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‘This story – the story of making the first show – is our record of how uncertain, optimistic, idealistic and naïve we felt back then. It’s the spark underneath each new version and each fresh company who bring the fuel and the heat to inspire every production of War Horse.’ - Mervyn Millar


This second edition of The Horse’s Mouth follows the production of War Horse, a play adaptation of Michael Morpurgo’s novel, from early concept workshops to one of the most beguiling and original plays ever staged by the National Theatre, the actors working with magnificent,life-sized puppets to take the audience on a gripping journey through history. The Horse’s Mouth is a fascinating, behind-the-scenes story of how this acclaimed and highly technical piece of theatre was achieved. In his new Introduction, Mervyn Millar describes how ‘the journey from improbable idea to long-running show has seen our production change.’

  • Sales Rank: #1888203 in eBooks
  • Published on: 2011-12-01
  • Released on: 2013-02-26
  • Format: Kindle eBook

Review
“This story – the story of making the first show – is our record of how uncertain, optimistic, idealistic and naïve we felt back then. It’s the spark underneath each new version and each fresh company who bring the fuel and the heat to inspire every production of War Horse.” — Mervyn Millar

“An excellent publication… At all times, Millar’s writing is clear, pacy and illuminating and the illustrations – which include four pages of color photographs – are fabulous. Don’t bother to see the film version: spend your money on this lovely book.” — Aleks Sierz

“A story of how an astonishing piece of theatre came about” – The Stage

About the Author

Mervyn Millar was born in London in 1974. He is a theatre director and puppetry specialist. He has provided puppetry to major companies including the RSC, National Theatre Studio, NT Education, theatre-rites, Lyric Hammersmith, Bristol Old Vic, West Yorkshire Playhouse, Liverpool Playhouse and BAC. He has created and directed installation and site-specific shows for wireframe and with Kazuko Hohki, and directed new writing and classics for the Steam Industry and others. Mervyn is the Artistic Director of Handspring UK.

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3 of 3 people found the following review helpful.
Must Read if you Saw the Play
By BE Zimmerman
I took my daughter and wife to see this play. Was very skeptical about how they could make a life sized puppet of a horse work without it being comical. I was amazed. We all loved the play, so when I saw there's was a "How'd they do that?" book, I had to buy it. We all loved the book. Very well written and it had pictures (the best part!). Check it out if you're a War Horse buff or just interested in "suspension of disbelief" stuff. Neat.

1 of 1 people found the following review helpful.
Good Read on creating the play.
By Richard Nottage
What a book on the development of the play War Horse and the design and manipulating of the horses. Also got the dvd which makes a good combination into the organization and development of the show. Would like a dvd of the actual play as performed by the original cast.

2 of 2 people found the following review helpful.
War Horse the puppet
By T. G. Harpster
Good book if you wnat to learn the backstage info on WAR HORSE, this is the book to buy. Short book but full of a lot of info on the making of the puppet and play!

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  • Sales Rank: #3070722 in eBooks
  • Published on: 2013-02-01
  • Released on: 2013-02-01
  • Format: Kindle eBook

From the Back Cover

The objective of the 2nd International Conference on Green Communications and Networks 2012 (GCN 2012) is to facilitate an exchange of information on best practices for the latest research advances in the area of communications, networks and intelligence applications. These mainly involve computer science and engineering, informatics, communications and control, electrical engineering, information computing, and business intelligence and management.

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Yuhang Yang is a professor at the Department of Electronic Engineering, Shanghai Jiao Tong University. Maode Ma is an associate professor at the School of Electrical & Electronic Engineering, Nanyang Technological University.

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Rabu, 26 Februari 2014

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  • Published on: 2013-02-01
  • Released on: 2013-02-01
  • Format: Kindle eBook

From the Back Cover

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  • Published on: 2012-03-29
  • Released on: 2012-03-29
  • Format: Kindle eBook

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The Weaver-God, He Weaves: Melville and the Poetics of T/Novel, by Christopher Sten

Melville has long been regarded as an author of raw genius who knew, or cared, little about the art of the novel, and even harbored hostility toward its conventions. In The Weaver-God, He Weaves, Christopher Sten sets out to correct this widespread view, showing not only what Melville knew about the novelist's craft but how he appropriated and transformed a whole series of distinct genres: Typee is presented in the context of the popular romance, with its paired themes of sex and violence; Omoo is viewed in the framework of early Spanish and later French examples of the picaresque novel; and Mardi is seen as an instance of the once widely popular genre of the imaginary voyage. Sten also reveals how Melville radically transformed certain existing genres?the epic novel in Moby-Dick and the historical novel in Israel Potter?or forged profound new directions for genres still in their early stages; the psychological novel in Pierre and the experimental novel in the Confidence-Man. Sten speculates that it is because Melville was so idiosyncratic and inventive that so few critics have understood his close relationship tot eh various novelistic forms. While individual chapters provide discussions of the genre principles Melville employed, Sten's introduction offers valuable theoretical isnight into the importance of genre study (encompassing recent work by Todorov, Hirsch, Hernadi, Jauss, Culler, Scholes, Fowler, Rosmarin, and others), both in the evaluation of literary texts and in the still more fundamental enterprise of determining their meaning. The Weaver-God, He Weaves thus exposes for the first time the extent of Melville's contribution to the novel. This work will be of interest to readers of Melville, 19th-century American literature, literature of the sea, experimental fiction, and to those who work in the field of genre studies.

  • Sales Rank: #2367157 in eBooks
  • Published on: 1996-04-01
  • Released on: 2013-02-26
  • Format: Kindle eBook

From the Back Cover
Melville has long been regarded as an author of raw genius who knew, or cared, little about the art of the novel, and even harbored hostility toward its conventions. In The Weaver-God, He Weaves, Christopher Sten sets out to correct this widespread view, showing not only what Melville knew about the novelist's craft but how he appropriated and transformed a whole series of distinct genres: Typee is presented in the context of the popular romance, with its paired themes of sex and violence; Omoo is viewed in the framework of early Spanish and later French examples of the picaresque novel; and Mardi is seen as an instance of the once widely popular genre of the imaginary voyage. Sten also reveals how Melville radically transformed certain existing genres - the epic novel in Moby-Dick and the historical novel in Israel Potter - or forged profound new directions for genres still in their early stages - the psychological novel in Pierre and the experimental novel in The Confidence-Man. Sten speculates that it is because Melville was so idiosyncratic and inventive that so few critics have understood his close relationship to the various novelistic forms.

About the Author
Christopher Sten is a professor of English at George Washington University. He is the coeditor of ""Whole Oceans Away" Melville and the Pacific" and author or editor of three other books. He lives in Washington, D.C.

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    • Sales Rank: #3635545 in eBooks
    • Published on: 2012-11-27
    • Released on: 2012-11-27
    • Format: Kindle eBook

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    NOTE: This is a single chapter excerpted from the book The Evidence and Impact of Financial Globalization, made available for individual purchase. Additional chapters, as well as the entire book, may be purchased separately.


    The sharp realities of financial globalization become clear during crises, when winners and losers emerge. Crises usher in short- and long-term changes to the status quo, and everyone agrees that learning from crises is a top priority.  The Evidence and Impact of Financial Globalization devotes separate articles to specific crises, the conditions that cause them, and the longstanding arrangements devised to address them. While other books and journal articles treat these subjects in isolation, this volume presents a wide-ranging, consistent, yet varied specificity. Substantial, authoritative, and useful, these articles provide material unavailable elsewhere.




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      • Rapidly developing subjects will interest readers well into the future
      • Reader demand and lack of competitors underline the high value of these reference works

      • Sales Rank: #3950546 in eBooks
      • Published on: 2012-11-27
      • Released on: 2012-11-27
      • Format: Kindle eBook

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      • Published on: 2013-02-11
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      This book presents critical studies of modern reconfigurations of conceptions of the past, of the 'classical', and of national heritage. Its scope is global (China, India, Egypt, Iran, Judaism, the Greco-Roman world) and inter-disciplinary (textual philology, history of art and architecture, philosophy, gardening). Its emphasis is on the complexity of the modernization process and of reactions to it: ideas and technologies travelled from India to
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      Rudolf G. Wagner is Professor of Sinology and Director of the Institute for Chinese Studies at the University of Heidelberg.

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      ^^ Download Ebook Drive: Journeys through Film, Cities and Landscapes, by Iain Borden

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      Drive: Journeys through Film, Cities and Landscapes, by Iain Borden

      This book explores the experience of driving cars as a way of encountering landscapes and cities around the world. A richly illustrated cultural history, drawing on social and urban history, art, literature and music, Drive explores in particular how car driving is portrayed in cinema and other moving images, from America to Europe and Asia, and from Hollywood to the avant-garde.
      Drive is about dynamic journeys, experiences and speeds, rooted in specific places and roads, and expanded into the realm of cinema, art and video games. It moves from the gentle deserts of The Grapes of Wrath to the adventurous city streets of The Italian Job, from the aesthetic delights of Rain Man and Traffic to the existential musings of Two-Lane Blacktop, Thelma and Louise and Vanishing Point, from the contemplative freeway pleasures of Lift to the Scaffold, Radio On and London Orbital to the hallucinatory high-speed dangers of Crash, Bullitt, Death Proof and C’était un Rendezvous. It shows how various kinds of driving – with different speeds, cars, attitudes, roads and cities – provide experiences and values that we ignore at our peril. Written by a leading urban and cultural historian, Drive’s conclusion is a timely riposte to commonplace anti-car attitudes.

      • Sales Rank: #2305259 in eBooks
      • Published on: 2013-02-26
      • Released on: 2013-02-26
      • Format: Kindle eBook

      Review
       “To pick up this book is to be taken on a smooth, fast drive. The journey starts in the city, moves out to the open road and then, as the pace quickens, heads up the motorway before a final high-speed dash that might attract flashing blue lights and penalty points. Finally, as the tyres crunch gravel at the destination, the driver (or rather the author) offers his conclusion: contrary to conventional opinion, car driving ‘is something to be preserved, celebrated and even encouraged.’” (Telegraph )

       “You’ve seen the films, now read the book. . . . Cruises along at an exhilarating speed over scenic routes. This is one of the few books whose chapters are organised by speed limits.” (The Independent )

      “Every now and then a book comes along from an unexpected source that completely changes your perspective. . . . Drive launches a substantial investigation into what it is about cars that we find so appealing, and how this manifests itself in cinema. . . . Superb.” (Classic Cars )

       “What emerges from Borden’s account is not a straightforward picture of driving as pleasure, but of humanity simultaneously enthralled and trapped by the car and the world we have created for it—both real and imaginary. . . . Drive is a robust account of the history of driving in 20th-century cinema.” (Icon )

       “This isn’t a conventional car book, nor is it a history of car films. Instead the author seeks to explore the sense of liberation associated with getting behind the wheel and how we view the unfolding landscape. . . . It offers an interesting and thought-provoking slant on why we love driving. . . . Well written and a pleasure to read.” (Octane )

       “A tremendous amount of research has gone into the book and if nothing else, it is the best bibliography and filmography on the subject. To make sense of this vast catalogue of information, it is organised by cruising speed. From steady urban driving, through Sunday speeds, to well past the legal limit – it’s no fun unless you’re doing a ton! . . . Being taken on Borden’s joyride, then, has been more a sublimation than an exploration—he is the best car salesman I have never met.” (Building Design )

      About the Author
      Iain Borden is professor of architecture and urban culture at the Bartlett School of Architecture, University College London. He is the author of many books, including Skateboarding, Space and the City: Architecture and the Body.

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      0 of 0 people found the following review helpful.
      The Film World's Open Road
      By Robert Wisehart
      In a world where research all too often consists of a few minutes on the internet, Iain Borden's "Drive" shows how it's done, or how it should be done.

      With Borden having watched an astonishing 450 movies ranging from silents to recent releases - which works out to almost two films per page - like its subject "Drive" manages to be many things at once. Overall it is a cultural examination of the automobile in film, exploring what these flickering images say about us at any given time. It also examines how the "movie and automobile industries grew together." As legendary director C. B. DeMille pointed out, and as quoted by Borden, they both reflect "the love of motion and speed, the restless urge toward improvement and expansion, the kinetic energy of a young, vigorous nation."

      They're all here: road movies such as "Thelma and Louise" and "Vanishing Point;" great car chases including "Bullit," "The French Connection" and "The Italian Job;" and auto-psychological movies such as "Driving Mis Daisy," "Rebel Without a Cause," and "American Graffiti." By the way, despite what I cited above, Borden does not deal only in American films. He explores British ("Charlie Bubbles" is a favorite), European, and Asian films, too, from the well-known to the delightfully obscure.

      My only complaint is that he might have tried to hard to shoehorn certain cinematic automobile experiences into specific categories. "Drive" consists of four main chapters; cities, journeys, what he calls "Motopia," and altered states. The divisions have to do with speed, terrain and form of driving. But, to adapt what Freud said about the cigar, sometimes a car chase is just a car chase. The scenes may not mean any more than the movie could afford them and the film makers thought the audience would enjoy them. I suspect that these divisions have as much do do with organizing a book as anything else, a way to bring order to a disorderly subject.

      Overall, Borden's creation is thoughtful, gracefully expressed, and lavishly illustrated. So buckle your seat belt, I think you'll enjoy this "Drive."

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      Senin, 17 Februari 2014

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      NOTE: This is a single chapter excerpted from the book Chemical Analysis of Food: Techniques and Applications, made available for individual purchase. Additional chapters, as well as the entire book, may be purchased separately.


      Chemical Analysis of Food: Techniques and Applications reviews new technology and challenges in food analysis from multiple perspectives: a review of novel technologies being used in food analysis, an in-depth analysis of several specific approaches, and an examination of the most innovative applications and future trends. This book won a 2012 PROSE Award Honorable Mention in Chemistry and Physics from the Association of American Publishers.

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      • Published on: 2012-07-18
      • Released on: 2012-07-18
      • Format: Kindle eBook

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      NOTE: This is a single chapter excerpted from the book The Evidence and Impact of Financial Globalization, made available for individual purchase. Additional chapters, as well as the entire book, may be purchased separately.


      The sharp realities of financial globalization become clear during crises, when winners and losers emerge. Crises usher in short- and long-term changes to the status quo, and everyone agrees that learning from crises is a top priority.  The Evidence and Impact of Financial Globalization devotes separate articles to specific crises, the conditions that cause them, and the longstanding arrangements devised to address them. While other books and journal articles treat these subjects in isolation, this volume presents a wide-ranging, consistent, yet varied specificity. Substantial, authoritative, and useful, these articles provide material unavailable elsewhere.




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        • Sales Rank: #3102703 in eBooks
        • Published on: 2012-11-27
        • Released on: 2012-11-27
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